How it started
I grew up near Lunteren. We had lots of nature books at home and I loved watching birds. When I was eleven, my parents let me borrow their camera. After that I saved up for my own, and I’ve been outside taking photos or filming ever since.
Studies and first films
I studied Forest and Nature Management in Wageningen. During my studies I helped out on the cinema film WILD, together with cinematographer Dick Harrewijn. I still work with him often. With a grant from National Geographic I spent a year on a photo story about geese. My first big film as a camera operator was Silence of the Tides.
How I work
Filming nature mostly takes patience. Sometimes I spend days in a hide waiting for the right moment, in rain, wind or cold. My converted bus is my base: it has power, coffee and a warm place to sit. I work with cameras such as the Sony Venice, FX9 and FX6, RED, Varicam, a Phantom for slow motion, drones and macro.
What I do now
In recent years I worked on films such as Onze Natuur, Vogels kun je niet melken, De Wilde Noordzee and Maximapark. More and more, I also make my own films, like Draaipunt and Weg van het zand. I enjoy showing a film and talking about it afterwards, so I also give presentations and organise screenings with a discussion.